London Fashion week 2010







A fashion week is a fashion industry event, lasting approximately one week, which allows fashion designers, brands or "houses" to display their latest collections in runway shows and buyers to take a look at the latest trends. Most importantly, it lets the industry know what's "in" and what's "out" for the season. The most prominent fashion weeks are held in the four fashion capitals of the world - New York City, London, Milan and Paris.

New York, London, Milan and Paris each host a fashion week twice a year with New York kicking off each season and the other cities following in the aforementioned order.
There are two major seasons per year - Autumn/Winter and Spring/Summer. For Womenswear, the Autumn/Winter shows always start in New York in February. Spring/Summer shows start in September in New York. Menswear Autumn/Winter shows start in January in Milan for typically less than a week followed by another short week in Paris. Menswear Spring/Summer shows are done in June. Womenswear Haute Couture shows typically happen in Paris a week after the Menswear Paris shows.
Over the past few years, more and more designers have shown inter-seasonal collections between the traditional Autumn/Winter and Spring/Summer seasons. These collections are usually more commercial than the main season collections and help shorten the customer's wait for new season clothes. The inter-seasonal collections are Resort/Cruise (before Spring/Summer) and Pre-Fall (before Autumn/Winter). There is no fixed schedule for these shows in any of the major fashion capitals but they typically happen three months after the main season shows. Some designers show their inter-seasonal collections outside their home city. For example, Karl Lagerfeld has shown his Resort and Pre-Fall collections for Chanel in cities such as Moscow, Los Angeles and Monte Carlo instead of Paris. Many designers also put on presentations as opposed to traditional shows during Resort and Pre-Fall either to cut down costs or because they feel the clothes can be better understood in this medium.
Some fashion weeks can be genre-specific, such as a Miami Fashion Week (swimwear), Rio Summer (swimwear), Prêt-a-Porter (ready-to-wear) Fashion Week, Couture (one-of-a-kind designer original) Fashion Week and Bridal Fashion Week, while Portland (Oregon, USA) Fashion Week shows some eco-friendly designers.


In 1943, the first New York Fashion Week was held, with one main purpose: to distract attention from French fashion during WWII, when workers in the fashion industry were unable to travel to Paris. This was an opportune moment - as for centuries designers in America were thought to be reliant on the French for inspiration. The fashion publicist Eleanor Lambert organized an event she called ‘Press Week’ to showcase American designers for fashion journalists, who had previously ignored their works. The Press Week was a success, and, as a result, magazines like Vogue (which were normally filled with French designs) began to feature more and more American innovations. Until 1994, shows were held in different locations, such as hotels, or lofts. Eventually, after a structural accident at a Michael Kors show, the event moved to Bryant Park, behind the New York Public Library, where it remained until 2010, when the shows relocated to Lincoln Center.
However, long before Lambert, there were fashion shows throughout America. In 1903, an NYC shop, called Ehrich Brothers, put on what is thought to have been the country’s first fashion show, to lure middle-class females into the store. By 1910, many big department stores were holding shows of their own. It is likely that American retailers saw that they were called 'fashion parades' in Paris couture salons and decided to use the idea. These parades were an effective way to promote stores, and improved their status. By the 1920s, the fashion show had been used by retailers up and down the country. They were staged, and often held in the shop’s restaurant during lunch or teatime. These shows were usually more theatrical than those of today, heavily based upon a single theme, and accompanied with a narrative commentary. The shows were hugely popular, enticing crowds in their thousands – crowds so large, that stores in New York in the fifties had to obtain a license to have live models. Nowadays, access to NYFW (New York Fashion Week) is by invitation only, and only fashion magazine editors, fashion magazine journalists, models (and ex-models) and celebrities are invited.
Other buyers are restricted to the showrooms/stores and the articles in the magazines






Tate Modern



Tate Modern

The galleries are housed in the former Bankside Power Station, which was originally designed by Sir Giles Gilbert Scott, the architect of Battersea Power Station, and built in two stages between 1947 and 1963. The power station closed in 1981. The building was converted by architects Herzog & de Meuron and contractors Carillion, after which it stood at 99m tall. The history of the site as well as information about the conversion was the basis for a 2008 documentary Architects Herzog and de Meuron: Alchemy of Building & Tate Modern. The southern third of the building was retained by the French power company EDF Energy as an electrical substation (in 2006, the company released half of this holding)


Paul Gauguin , Teha 'amana has many parents , 1893 Photo © The Art Institute of Chicago Gauguin
30 September 2010 – 16 January 2011 

Tate Modern's Turbine Hall, site of The Unilever Series © Tate The Unilever Series: Ai Weiwei
12 October 2010 – 2 May 2011

Gabriel Orozco, Black Kites, 1997  © Courtesy of the artist; Marian Goodman Gallery, New York; Galerie Chantal Crousel, Paris; and kurimanzutto, Mexico City  . Philadelphia Museum of Art. Gift (by exchange) of Mr. and Mrs. James P. Magill, 1997 Gabriel Orozco
19 January – 11 April 2011

Joan Miró, Head of a Catalan Peasant, 1925 © Succession Miro / ADAGP, Paris and DACS, London 2008. Tate Joan Miró: The Ladder of Escape
14 April – 11 September 2011

Gerhard Richter, Reader, 1994 © Gerhard Richter. Courtesy San Francisco Museum of Modern Art Gerhard Richter: Panorama
6 October 2011 – 8 January 2012

Olafur Eliasson, The Weather Project, 2003 © Olafur Eliasson. © 2003 Tate, London The Unilever Series 2011
11 October 2011 – 9 April 2012

























Street Art London




To Noemi, best wishes, Pat Mills



To Noemi, best wishes, Pat Mills :)

The Complete Ro-busters



Yo me he comprado este.. Que me tenia mejor pinta que el nuevo.... y tambien escrito por Alan Moore ;)dibujado por Dave Gibbons, Carlos Pinto y demas...
me han hecho un dibujo... Pero de despistada q soy me lo he dejado en la tienda :( a ver si lo recupero!!!!

Wikipedia ref:

The story was one of those aimed at being the core of the new title Starlord, a spin-off from 2000 AD. The concept was based on a suggestion from managing editor John Sanders and, according to writer Pat Mills "I did this really as a favour and as a way of pissing off the managing editor who pitched an idea to me about ex-servicemen with super powers who deal with disasters. It was a dreadful idea and I bypassed it by doing Ro-Busters, which he hated - so I knew my story would be a hit"[2] Although he had stayed with 2000 AD, and would go on to be the art editor there, Kevin O'Neill provided the initial designs for Ro-Buster[3] but would only draw the series later after its move to 2000 AD.

The stories were drawn by a number of artists and Dave Gibbons has fond memories of his work on Ro-Busters:
“ "I used to love doing Ro-Busters. I think the "Terra-Meks" story was arguably one of my finest hours. It was a great script Pat wrote for that, really emotional and kind of 2000 AD at its best. Grandiose, outrageous concepts, yet with a real humanity and emotional depth to it as well."[4] ”

Hammerstein, Ro-Jaws and Mek-Quake would go on to be members of the ABC Warriors, first introduced in Hammerstein's flashbacks to his time in the Volgan War.

After the launch of ABC Warriors Pat Mills never wrote another Ro-Busters story but there were a number of one-offs published in the 2000 AD Annual during the early eighties, most notable three stories by Alan Moore which were the last Ro-Busters tales

Pat Mills



Hoy he acabado mi dia en Forbidden Planet una de las tiendas mas grandes de Londres de comics, y estaba firmando este señor Pat Mills uno de sus nuevos libros...